ZEISS Supreme Prime T1,5 NEW
Consistency is one of the key elements offered by the ZEISS Supreme Prime lenses: that means consistent coverage, color rendering, aperture, size, weight and ergonomics. All the lenses across the family cover full frame and even bigger sensors with an image circle of 46.2 mm. The Supreme Prime lenses are color matched across the full range and most feature a fast T-stop of T1.5.
The small front diameter of 95 mm on almost all lenses and standardized positioning of the focus and iris rings across the whole family facilitate fast and easy equipment changeout. The compact and lightweight design means you enjoy easy and comfortable handling. The ultra-smooth focus rotation of the Supreme Prime lenses even in extreme temperatures allows for small motors to make sure you have an easy setup that’s enjoyable to work with.
The ZEISS Supreme Prime lenses are designed for cinematic large-format sensor coverage, making them the ideal choice for current and future camera systems. At T1.5 the ZEISS Supreme Primes demonstrate their unsurpassed craftsmanship in tricky low-light environments.
A very smooth transition between in-focus and out of focus areas characterize the unique look of the ZEISS Supreme Prime lenses. This adds richer texture and greater depth to the image.
The ZEISS Supreme Primes possess a look, which ensures freedom in creating the look you want to achieve. Especially when capturing crucial textures such as skin tones, the unique quality of the ZEISS Supreme Prime lenses is a gentle sharpness that renders a crisp but organic look.
The unique ZEISS eXtended Data technology offers lens metadata critical for VFX-intensive productions and workflows on set. The frame accurate information about focal length, focusing distance, T-stop and depth-of-field enables the camera assistant to work more precisely and eliminates guesswork for the DIT. The ZEISS specific distortion and vignetting data makes shooting grids redundant and accelerates compositing and stitching in post-production.
Leica Summicron-C NEW
Lenses Summicron-C production company CW Sonderoptic, which is the developer of optics Leica SUMMILUX-C. Ruler Summicron-C includes six light and compact lenses Prime - 18, 25, 35, 50, 75 and 100 mm, the aperture - T2.0.
|Leica Summicron-C 18mm T2
|Leica Summicron-C 25mm T2
|Leica Summicron-C 35mm T2
|Leica Summicron-C 50mm T2
|Leica Summicron-C 75mm T2
|Leica Summicron-C 100mm T2
The quality of their work is fully consistent with the expectations of a well-established and beloved by many operators optics Leica SUMMILUX-C.
Lenses Summicron-C up to compete with well-known brands, their performance close to the ideal.
In addition to the above, they are completely Croutes RED DRAGON.
ARRI MASTER PRIME NEW
In collaboration with the company ARRI company Carl Zeiss has created a line of lenses Master Prime (35mm format). The advent of high-aperture lenses and good optical performance was made possible by new technology, the use of special glass, aspherical surfaces, improved coverage. Even when shooting at night Master Prime lenses provide good attention to detail, they are equipped with a built-in Lens Data System (LDS). This system can have three different configurations: Lens Data Archive (any lens with different cameras), Lens Data Mount (any LDS-lens cameras), Lens Data Ultra (LDS-LDS-lens cameras). System Lens Data System shows real-time status of the lens (the position of the focus, iris, zoom, depth of field, near focus, battery status, speed and other characteristics). This information is displayed on the Lens Data Display, which allows the operator to run faster, especially if the camera is on a crane or with a Steadicam.
ARRI ULTRA PRIMES
For 35mm cameras designed line Ultra Prime lenses with fixed focal length, which the company Carl Zeiss has developed together with the company ARRI. In our line of Ultra Prime lenses includes 15 - from Super Wide-Angle Ultra Prime 10 to telephoto Ultra Prime 180 - with large, easy to read scales focus and iris. All models have the same optical characteristics ensure high image quality 35mm when shooting scenes of different lenses with different focal lengths, have high resolution and contrast. Sharpen the focus is achieved through technology free movement of elements (Floating Element Design), which provides precise movement of the optical components within a group of lenses relative to each other while adjusting the focus, allowing you to correct the distortions in the area of the image and eliminate optical aberrations. For the Ultra Prime lenses are characterized by reliability, durability, uniform levels of contrast and brightness, the lack of color fringing in the signal throughout the focus range and the effect of "breathing."
Carl Zeiss COMPACT PRIME CP.3 PL or EF mount T2,1-2,9 NEW
Lenses ZEISS CP.3 - the last contribution of ZEISS in support of creative and progressive filmmaking. This is an affordable and high-quality set of lenses with a range of 15 to 135 mm, seven focal lengths in the ZEISS Compact Prime CP.3 series from wide-angle to telephoto.
ZEISS CP.3 lenses are a professional toolkit that simplifies work on the set. They are easy to handle, allow you to quickly switch equipment and give greater freedom of creativity, so that your ideas come to life. ZEISS CP.3 lenses offer the perfect combination of high image quality and reliability. Clear characteristics of ZEISS are known, as well as an interchangeable fastening system and a full-frame coating. New lenses are more compact than their predecessors and are designed to replace the CP.2 line.
The mechanics of the rotation of the focal ring are refined: everything is soft, smooth and in German exactly. On the "glass", an additional coating, besides all the well-known anti-glare T * coating, was applied, which makes them even more contrasting. Visually, the lenses became more compact (the front diameter decreased from 114mm to 95mm), and in weight lost about 10%.
Compact and lightweight ZEISS CP.3 lenses are ideal for use in suspensions, stedicams and drones.
Carl Zeiss COMPACT PRIME CP.2 SUPER SPEED PL or EF mount T1,5-2,9 NEW
Cinema lenses Carl Zeiss Compact Prime CP.2 specifically designed for professional use with modern digital SLR cameras HDSLR, as well as with PRO HD camcorders.
A unique feature is the ability to CP.2 lenses change bayonet mount. There are various options - Canon EF, as well as PL-mount. So you can use all the Compact Prime CP.2 lenses with various video and photo equipment - from digital SLR cameras and video cameras to film the classic professional cameras. Thanks to a removable bayonet a unique opportunity to use lenses Carl Zeiss CP.2 not only to the current date photo and video equipment, and devices that will appear in the future.
Key features Lens Carl Zeiss Compact Prime CP.2. The same form factor - all CP.2 lenses are the same constructive housing with the same dimensions and controls. The length, diameter, location of the focus ring and aperture changes allow quick and easy to change lenses for the camera with a focusing system Follow Focus and various movie bodywork. 14-blade diaphragm - precision aperture infinitely adjustable forming a perfect circle at any value. It allows you to play beautiful "bokeh" in the zone of sharpness. Exceptional image quality - something for which to buy lenses Carl Zeiss. Brand anti-reflex coating lenses, a special internal coating and light-catching design of the channels in the lens to deliver crisp images with excellent color and contrast. The film industry standards - all lenses Carl Zeiss CP.2 made with unprecedented precision from high quality materials that provide high resolution, ultra-low distortion and excellent color reproduction. Interchangeable mount - Canon EF, Nikon F, MFT Micro Four Thirds (Micro 4/3), E-mount Sony, as well as PL-mount. The ability to use lenses Carl Zeiss CP.2 not only to the current date photo and video equipment, and devices that will appear in the future. Compatibility with traditional movie cameras - ANSI Super 35 / Normal 35. Full Frame - all lenses Carl Zeiss Compact Prime CP.2 cover full frame format 24x36 mm.
Cooke 5/i Prime Lenses, T 1.4 NEW
Thanks to exchangeable mountings, Zeiss CP.2 lenses can be installed on a professional camera with PL-mount, and the Canon cameras and Nikon. We are introducing a new series of lenses 5 / i Prime 35mm cameras. Ruler series lenses 5 / i Prime includes 7 discrete lenses with focal lengths 18,25,32,50,65,75,100. Thanks to its compact size, they can be mounted on any camera, as well as systems such as Steadicam.Eti lenses have a large aperture ratio (T1,4 - T22), technological and Gia / i, and the scale of the focus, which can be if necessary osveschena.Obektivy Series 5 / i Prime has a unified front diameter of 110 mm, 7-blade diaphragm, PL mount and fully agreed on the color reproduction lenses Cooke S4 / i, Panchro, CXX 15-40 mm T2 Zoom, 18-100 mm T3,0, 25-250 Zoom T3 7 and lens format SK4 16 mm. The angle of rotation of focus ring 90 °, and the aperture 270 °.
Cooke S4 lenses
The British company Cooke produces a wide range of lenses for film, that have high optical and mechanical characteristics. Used for the manufacture of multi-layer coating provides special character image which is called in the film world look Cooke - soft, with rich warm tones. Our range of S4 / i Prime includes eight models with focal lengths from 14 to 135 mm, which have been developed in close collaboration with Hollywood companies Clairmont Camera and Otto Nemenz to 35mm / Super 35mm. All lenses S4 / i Prime have Arriflex PL Mount and 8-leaf iris. In color reproduction lenses S4 / i Prime coordinated with zooms Cooke 18-100 mm and 25-250 mm T3,0 T3,7. The original design of the optical system maintains high optical performance, even at high values of geometric holes and any light, produces images without glare, distortion and spherical aberration.
Cooke Panchro T2,8
The new range of optics Cooke Panchro T2,8 - provides the same image quality as the Cooke S4 only has a smaller aperture ratio instead T2,8 T2,1. In this 3-fold less, i.e. This economical option Cooke.
ARRI PRIMES Super speed MKII / MKIII T1,3
ARRI PRIMES Super speed to the ultra high aperture range from true masters. Experienced filmmakers have probably noticed the high-speed line parameters, which can be compared only to a series of Arri Master Prime. On the basis of this line has been made a series of Arri Master Prime. Separately want to note that this line covers the full resolution of 5K. When and where you would not be removed, optics opens new creative horizons for you, because lenses retain their optical properties over the entire length of the aperture scale T1.3 to T22. If you shoot in the afternoon in an open area with bright lights and high contrast, and a night scene in a dark room, the line of lenses allow the use of one set of absolutely all shooting situations thanks to his versatility.
ARRI PRIMES T2,1
In collaboration with the company ARRI company Carl Zeiss has created a line of lenses ARRI PRIMES (35 mm format). The advent of high-aperture lenses and good optical performance was made possible by new technology, the use of special glass, aspherical surfaces, improved coverage.
Lenses have the same optical characteristics ensure high image quality 35mm when shooting scenes of different lenses with different focal lengths, have high resolution and contrast. Sharpen the focus is achieved through technology free movement of elements (Floating Element Design), which provides precise movement of the optical components within a group of lenses relative to each other while adjusting the focus, allowing you to correct the distortions in the area of the image and eliminate optical aberrations. For lenses are characterized by reliability, durability, uniform levels of contrast and brightness, the lack of color fringing in the signal throughout the focus range and the effect of "breathing."